theatriolo


Snow Child/Plentyn yr Eira



The Stage, 17 December 2010, Wales Millennium Centre - Reviewed by Jon Holliday

Created and directed by Sarah Argent, Dafydd James and Kevin Lewis, this Christmassy playlet for under-sevens is a work of real charm and imagination. The cast quickly establishes a rapport with the young audience, seated on the floor in a semicircle, even before the actual performance begins.

At bedtime, four children - Big Sister (Cari Barley), Little One (Elin Philipps), Snit (Clare Hingott) and Boy (Aled Herbert) - make up once-upon-a-time stories. They create a snowy wonderland out of white sheets, duvets and pillows on their bedroom floor. Then, as if by magic, a small mischievous Snow Child appears, and surprise follows surprise.

For adults the real entertainment is to watch the wonder in the eyes of the little ones at each new revelation - their expressions of delight, the ‘oohs’ and ‘aahs’, and laughter that greet the actions of the tiny puppet. In the intimacy of the Weston Studio, this is true theatre suspending disbelief.

The music is composed by Dafydd James, the designer is Charlotte Neville, with lighting by Katy Stephenson. Snow Child has toured 20 venues in south and west Wales, with the bilingual cast giving performances in both English and Welsh.

Snow Child / Plentyn Yr Eira

Theatre in Wales, December 16, 2010, Wales Millennium Centre - Reviewed by Michael Kelligan,

If you’re a little bit over seventy or a little bit under seven and you feel like a bit of magic and delight get yourself taken down to The Weston Studio in the Wales Millennium Centre and meet the quiet wonder that is the Snow Child. She’s discovered by a little boy – well he’s not really a little boy but a very clever actor called Aled Herbert and he acts the part of a little boy, who like all little boys can be quite naughty at times.

He has a Big Sister and a Little Sister and another one, sort of in the middle, called Snit. Just like Boy they are not really little girls but lively and imaginative actresses, Cari Barley, Clare Hingott and Elin Phillips playing their parts with a great deal of charm and delight. When we meet them they, like us, don’t know anything about the Snow Child. We can tell that they’re children because they are in their nursery and dressed ready for bed, the girls in their white nightdresses and Boy in white pyjamas. Soon the whole of the floor is covered in white and the white turns into snow.

They were a very friendly crowd. As I was getting into my seat before the enchantment had started they were busy chatting to all the children in the audience while they were all waiting to meet the Snow Child. Then with Boy as the conductor they played some very delicious music. Then, on her big cello Big Sister played a bit of quite scary music as she tried to tell the other children a bed-time story. Just before this they had turned their bedroom into a dreamy world of snow with the bedcovers and lots of dazzling white sheets.

Big Sister didn’t have much luck telling her story, the others kept interrupting her and made up their own story. And they started bahing, pretending to be sheep out on the snow. They went on out into the snow and crunched it under their feet. They started snow-balling with the pillows and Boy tied some knots in one giving it a head and some arms – Look! He said a snow child.

They all thought Boy’s snow child was very funny, then they all went to sleep in a big bed. Boy woke up and went wandering out on the cold snow all by himself, he saw magic ice on a tree, he touched an icicle and all the stars came out. He saw something move in the ground and he dug down for it. He found the real Snow Child. He picked her up and they had fun together. The Snow Child climbed the tree and pointed to the stars and told Boy her home was up there in the stars. The sisters came to find Boy and they were amazed to see the lovely little Snow Child, they took her home and had lots of fun. Then the Snow Child pointed to the stars and told them it was time for her to go home and home she went. If you look up in the sky and see a very bright shining star that will be the Snow Child.

If you are between three and six get someone to take you down to the Millennium Centre where you will meet the Snow Child, and all her friends. There are some performances in the Welsh language. Whatever the language you and the grownups with you will be totally entranced by this very simple and beautiful production created by the deft touches of Sarah Argent, Dafydd James and Kevin Lewis.

 

Finding Leaves For Soup

WESTERN MAIL, Jun 25 2009 Reviewed by Katie Norman

Tales from mouths of 3-year-olds inspire Theatr Iolo

A THEATRE group has developed a new way of including children as young as three in the play-writing process.

Cardiff-based company Theatr Iolo has devised and performed two successful children’s plays using stories made up by nursery and Year 1 pupils in special workshops.

The exact phrases uttered by youngsters aged three to five have formed the basis for the scripts of the company’s productions Under the Carpet and Finding Leaves for Soup.

Teachers said involvement in the workshops and watching the resulting plays had helped to develop children’s confidence and imagination, as well as introducing the early years pupils to live performances.
The process has also enabled Theatr Iolo to create plays that are bound to appeal to nursery-age youngsters because they utilise the language and ideas of their peers.

Director Sarah Argent said the initiative had been inspired by the writings of American educator Vivian Gussin Paley, who focuses on the importance of encouraging young children to make up their own stories.

Ms Argent said: “We didn’t think it would lead to a production at first, it was initially just a story-making project. “I got a suitcase full of objects I thought were interesting and I took it into nurseries, where each child told me a story based on one or two of the objects.

“Then we had a eureka moment and thought, ‘What if our next production exclusively uses the words from the children’s stories?’ And that’s what we developed into Under the Carpet about two years ago.”

Based on the words of children from nurseries in Barry Island and Grangetown and Splott in Cardiff, Under the Carpet has now been performed in cities including Edinburgh, London and the Czech capital Prague. It will next travel to Seoul in South Korea.

Theatr Iolo’s latest play to be inspired by the stories of early years children is Finding Leaves for Soup, which began as a project called Words in the Woods, organised by the Vale of Glamorgan Forest Education Initiative. It is touring Welsh nurseries until July 10.

To generate story ideas for the production, youngsters aged three to five from four Vale of Glamorgan schools and nurseries were taken to Hensol Forest, near Cowbridge, for a workshop.

In the woodland, the children found ribbons tied to trees and giant pencils hanging from branches.
They were also introduced to characters including a boy called Jack and a fairy, who encouraged them to help make a “magical soup”.

Ms Argent said: “The characters told the children about themselves but didn’t give away too much because the aim of the project was to get the children to tell us stories based on what they had seen.
“We recorded their stories verbatim and the play was constructed from their exact words.”

Mari-Louise Shalom, a nursery teacher at one of the participating schools, St Andrew’s Major Church in Wales Primary School, in Dinas Powys, said it had been a phenomenal project to be a part of.

“I know that none of the teachers will ever forget it because it was so inspirational,” she said.
“One of the great things was that the children who sometimes struggle in class were in many cases the ones who took to this right away. Their imagination just tumbled out.

“For me, I could take a step back to watch, listen and observe the children work out for themselves who had put those pencils there, and who the fairy was. It highlighted to me the importance of stepping back to give the children plenty of time to be imaginative.

“One of the teachers I spoke to had been in the profession for 30 years and said it was the best project she had ever been involved with.

“It was truly a memorable experience for both the adults and the children involved.”

When Theatr Iolo performed the finished play at St Andrew’s Major Primary, Ms Shalom said many pupils were thrilled to recognise parts of their own stories in the script. She said: “They were so transfixed that not one of them moved for 45 minutes.”

 

Theatr IoloFinding leaves for soup South Wales Echo, June 23 2009,

Reviewed by Katie Norman

Children as young as three help create a new play with Theatr Iolo

CHILDREN as young as three have contributed to the development of a new play.

Cardiff-based company Theatr Iolo used the stories made up by nursery and year one pupils to form a script for their new play, Finding Leaves for Soup.

The production, touring Welsh nurseries until July 10, began as a project called Words in the Woods, organised by the Vale of Glamorgan Forest Education Initiative.

Youngsters aged three to five were encouraged to come up with stories for the script during Theatr Iolo workshops in Hensol Forest, near Cowbridge.

During the workshops, the children were guided into the woodland where they found ribbons tied to trees and giant pencils hanging from branches.

They were also introduced to characters including a boy called Jack and a fairy who encouraged them to help make a magical soup.

The play’s director, Sarah Argent, said: “The characters told the children about themselves but didn’t give away too much because the aim of the project was to get the children to tell us stories based on what they had seen. We recorded their stories verbatim and the play was constructed from their exact words.”

It is the second time Sarah and her team have used the method to create a play for children, following the success of a similar project called Under the Carpet.

As well as developing youngsters’ confidence and imagination, the process creates a play likely to appeal to children because it was directly inspired by their peers.

Ms Argent said: “You have to bear in mind that the things adults find interesting and funny in children’s stories are not necessarily the things children take to. “They have their own ideas about what makes a good story.”

Pupils taking part in the project were from St Andrew’s Major Church in Wales Primary School in Dinas Powys; St Joseph’s Roman Catholic Primary School in Penarth; Eagleswell Primary School in Llantwit Major and St Bride’s Major Church in Wales Primary School.

Mari-Louise Shalom, the nursery teacher at St Andrew’s Major Primary, said: “It was a phenomenal project to be a part of. I know that none of the teachers will ever forget it because it was so inspirational."

“One of the great things was that the children who sometimes struggle in class were in many cases the ones who took to this right away. Their imagination just tumbled out.”

When Theatr Iolo performed the finished play, Ms Shalom said many pupils were thrilled to recognise their own stories in the script.

“They were so transfixed that not one of them moved for 45 minutes during the performance,” she said.

Finding Leaves For Soup Theatre in Wales, May 20, 2009, Llanover Hall, Cardiff, Reviewed by Michael Kelligan

A totally captivating gem of a show

Another spectacular diminutive gem of a performance from the twenty-one year old Theatr Iolo, who though now in its mature years continues to produce innovative work that always totally captivates their young audiences. To a degree, influenced by primary school teachers asking to include nursery age children into the company’s plays designed for the 5+ group, the company under the guidance of the sensitive theatricality of director Sarah Argent turned to examine closer and present animated stories for this younger audience.

This production follows on from two previous projects which like Finding Leaves for Soup, the stories and the dialogue have all sprung from children being guided by the company to explore provocative objects and situations. In the first, stories and ideas grew from objects being taken from a suitcase, handed round and talked about. Then the company took their young audience Under the Carpet from which a second delightful play was brought engagingly to life, again written the same way.

For this production the company teamed with the Vale of Glamorgan Council and the Forestry Commission. With education staff from these organisations the director and her actors went off to the Hensol Forest in The Vale of Glamorgan to study the children’s reactions. From this adventure Finding Leaves for Soup emerged.

Whilst the youngsters may have provided the words and the narrative huge credit must go to actors Hannah McPake and her musical forest friend Jak Poore for succeeding so well in bringing all the smells and the feel of the forest so vividly and charmingly to life. McPake’s role demands a lot of sophisticated understanding of the techniques of the stage performer, this she most certainly has but so skilfully does she manipulate them in her performance of a very young girl who thinks she’s a fairy and has the wings to prove it, that throughout the play she has every small and every large eye glued to her. Jak starts a bit on the shy side but he gains more and more confidence with his new found friend as the play progresses. Both live, on his ukulele and with his recorded music he adds to the magic and enchantment of the story.

They nearly eat worms, sail a boat on a pond, get covered in mud and there is a load more than just leaves going into their soup. It never quite gets cooked, that’s something we have to come back for tomorrow.

The Welsh Assembly Government has recently introduced the Foundation Phase play-based curriculum for children aged 3 to 7.The Foundation Phase places great emphasis on children learning by doing. Theatre Iolo were well ahead of them and this production has been presented on behalf of the Welsh Assembly as an illustration of what education through outdoor activity can achieve.

 

Whose Shoes

The Western Mail,May 29 2006 Llanover Hall, Cardiff - Reviewed by David Adams

A Simply Stunning Performance First, the good news. Theatr Iolo's latest show for 5-7 year-olds is another endorsement of this successful company's unerring ability to deliver high-quality theatre for young audiences with the minimum of fuss.

Kevin Lewis's production of Mike Kenny's play is sharp, uncluttered and utterly engaging, allowing the layers of this offbeat take on the classic fairy-story format to emerge. A kind of sequel to Cinderella, it is about a young dancer, Eldamina, who goes through the familiar rites-of-passage trials and tribulations of childhood in what the company calls "an uplifting tale of jealousy, tantrums, dancing, music and sisterly love".

Eldamina (a character created by our eccentric storyteller Imelda Baglady) has been given Cinderella's famous glass slippers because she so loves to dance but is somewhat put out when she finds her new baby sister Madeleine (and you'll have spotted the neat triple near-anagrammatical naming) is to take over the shoes when she grows up - and so the older sister throws the slippers into a lake.

As the title suggests, glass slippers are not the only footwear that feature in this shoe-in. Eldamina is rewarded for her labours as she tramps through life with wellies, walking boots and moccasins, whil Imelda uses shoes as telephones. For the baglady, with supplies of all kinds of cobblers' product in her plastic sacks, footwear is metonymic. Ideas of stepping into someone's shoes and the old custom of throwing a shoe after someone to bring good luck also bubble away in Kenny's deceptively subtle script.

But the show is really brought to life by the solo performer, Cath Prosser, who enters as Imelda, a kind of dotty Alan Bennett character, and, once the story has got going after several amusing false starts, becomes Eldamina. The enchanting Ms Prosser is simply stunning as she holds the audience in the palm of her hand - and this audience, at a special showing in Llanover Hall, was that often difficult mix of adults and kids rather than the usual school class.

Some of you may have seen Ms Prosser when she made a very impressive professional debut as Curly's wife in the Torch Theatre's Of Mice and Men a couple of years ago and here she shows how she has matured into a striking performer.

And so to the bad news. The talented Ms Prosser leaves Wales for Mexico at the end of the run of this show. She will not be the first startingly promising actor to quit Welsh theatre because of the lack of opportunity, or the last, I fear.

 

 


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